9 September 2016
Lieven de Ridder is a real music fanatic, more precisely he is a devoted fan of the underground belgian electronic scene of the 1980’s. He has rapidely evolved from a simple collector to a concert and festival curator, before setting up the label Walhalla Records to share his passion for the most obscure bands of that time. He offers a second life to unsuspected gems, originally published in limited editions on cassette tapes, now reissued for the first time on vinyl. With five volumes since 2010, his series of anthologies Underground Belgian Wave has quickly become essential, and he has recently added a volume dedicated to wave singles, as well as some judicious reissues (Asmodaeus, Kloot Per W, Bene Gesserit, Arbeid Adelt!)
15 July 2016
Active since the end of the 1970s, Stephan Barbery has gone through (and taken part in) punk, new-wave, cold wave, post-punk and is now pursuing a career made of his own experimental music and the psychedelic improvisations of Babils. Guitarist for numerous bands, such as Thrills, Digital dance, Snowy red, Marine, Kid Montana or Ink (with Drita Kotaji), he is also a graphic designer, he has conceived a lot of record covers, and he has produced a number of fanzines (the punkzine Bobel Simplex, among others). He is also the founder of the labels Camera Obscura and Digital records.
6 January 2016
Op het einde van de jaren 1970 zou niemand hebben gedacht aan het woord post-punk, dat vandaag wordt gebruikt ter definitie van een ietwat onduidelijk sterrenstelsel van genres en sub-genres ontstaan uit de muzikale verlenging van de punk beweging. De post-punk muzikanten, die voor esthetische of ideologische redenen afstand namen, waren op zoek naar nieuwe […]