15 July 2016
Active since the end of the 1970s, Stephan Barbery has gone through (and taken part in) punk, new-wave, cold wave, post-punk and is now pursuing a career made of his own experimental music and the psychedelic improvisations of Babils. Guitarist for numerous bands, such as Thrills, Digital dance, Snowy red, Marine, Kid Montana or Ink (with Drita Kotaji), he is also a graphic designer, he has conceived a lot of record covers, and he has produced a number of fanzines (the punkzine Bobel Simplex, among others). He is also the founder of the labels Camera Obscura and Digital records.
15 July 2016
Active since the end of the 1970s, Stéphan Barbery has gone through (and taken part in) punk, new-wave, cold wave, post-punk and is now pursuing a career made of his own experimental music and the psychedelic improvisations of Babils. Guitarist for numerous bands, such as Thrills, Digital dance, Snowy red, Marine, Kid Montana or Ink (with Drita Kotaji), he is also a graphic designer, he has conceived a lot of record covers, and he has produced a number of fanzines (the punkzine Bobel Simplex, among others). He is also the founder of the labels Camera Obscura and Digital records.
2 March 2016
At first it was a timely but unpredictable destination. You would go there on Friday or Saturday nights, or sometimes both, without any real plan, any fixed trajectory. It allowed us to temporarily escape from the quiet suburbs where we lived. A week of dull drudgery was followed by a lively weekend, in the enchantment of a club. And a real one at that. Not a ballroom or a dance hall. Not some suburban cabaret. But a club—both literally and figuratively—where you could wander about or settle into a spot and stay for hours under the magic of artificial lights, like on some soft drug for the senses.